Review by Curtis Cole
A planet: culture, religion, philosophy, race and ethnicity, sexuality and gender, technology, and nature. These are some of the defining aspects of this planet and of humanity, that biological organism crawling on the husk of the planetary body known as Earth. Such a differential plethora, that vast multitude constituting the near-infinite intertwining of purposes with agents is the focus of Neal Stephenson’s latest epic: Seveneves.
Set against a backdrop of Earth in crisis and a future spawned from that terrible chaos, Stephenson’s thread weaves together narratives of the highest order—the reason for events, human mission in a seemingly mission-less world, etc.—to depict something of a postmodern flare: a story about the production of myth and how metanarratives lead to societal parody, the semiotic becoming satirical in—and for—itself.
Earth of the not too distant future is the setting of the story. In this timeline, however, not…
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